Women & Religion
Feature Story Phoenix Magazine
July 2004


Christianity, Judaism, Islam... when you get right down to it, they all
have a lousy track record when it comes to the treatment of women.

 
      I could beat around the bush and get all academic about it, but I think I should just ask straight out: Why are world religions so scared of women? I don’t mean leery or cautious or daunted or dismayed or alarmed. I mean, spell it with a Capital S – Scared.
       I suspected before – and have proof now – that organized religion is so terrified of women that it’s gone to great lengths to erase our sacred history and besmirch our good names in order to write us out of the Bible.
       And that’s just the Christians. Oh my, what the Jews and Muslims have done!
       Before I go on, I want to be very clear: I’m not chiding any one brand of religion; I’m chiding all of them. All of them have been horrid to women; some are maddening in their brutality; some are deadly.
       But the bottom line is they’re scared of women. And I’m here to tell you, they should be.

       I wouldn’t have missed the discussion series on The DaVinci Code for anything. I was champing at the bit to have a serious, let’s-get-to-the-facts discussion about this bestseller, which has turned religion on its head.
       Few books in history have inspired such a ferocious debate as this fictional murder mystery filled with “secrets” about art and religion. Author Dan Brown is said to be perplexed that everyone has taken his words as… well, gospel, but I’m sure he’s scratching his head all the way to the bank.
       At last count, a half-dozen books have shown up to debunk The DaVinci Code; the internet is loaded with websites, both pro and con; and some say that religious probing has never been higher.
       So I wasn’t surprised that a lot of others felt the same way as I when The Church of the Beatitudes announced a three-week discussion series on the book. Some 200 people showed up every week in January, listening to discussions of the Bible like I’d never heard before.
       I went with my friend, Athia, who’s a member of this forward-thinking, open-minded church. Although we both recognize this book is a work of fiction, it did present a lot of questions and suggestions that had us wondering.
       The pastors saw this wonder as a great hook – what an opening to get adults talking about the Bible and religion and women. (I know the Phoenix Art Museum toyed with cashing in on the interest, too, and if it had sponsored a discussion series on the book and what it says about art, Athia and I would have been faithful attendees.)
       “I want to thank Dan Brown for writing this book and generating all kinds of interesting conversations – if I’d told you I was here to discuss ‘The Sacred Feminine,’ I doubt we’d have this kind of crowd!” That’s how The Reverend Mary Bard (visiting from Shepherd of the Hills Church) started her presentation.
       And boy, is she right. But as she also notes, the theme of the sacred feminine is one of the forces that has driven the popularity of this book.
       By now, everyone who wants to read the book has, so I’m not giving anything away. But among its points that so evoke interest is the theory that Mary Magdalene – far from being the prostitute Jesus saved – was really “The Apostle to the Apostles”; she was the one “Jesus loves more”; and get this, she was actually Jesus’ wife! The DaVinci Code claims all this is uncovered when you realize that Leonardo DaVinci’s painting of the Last Supper shows Mary Magdalene, right there, at the right hand of Jesus!
       We do know, from Biblical history, that some of those points in The DaVinci Code are true. The Catholic Church, through Pope Gregory, did characterize Mary Magdalene as a prostitute in a sermon in the year 591, and it took the Vatican until 1969 to admit that the slander was false.
       Mary-Magdalene-as-a-harlot held so strong, so long, that an entire order of Irish nuns was formed in her name to atone for her sins by taking in wayward girls – their brutal true story was a recent movie that made me cry.
       How Pope Gregory came up with his fictitious theory, no one knows, because the Bible never calls her a prostitute. In fact, quite the opposite. There now is widespread belief among scholars working with ancient scrolls that she was one of Jesus’ most devoted followers, and was perhaps his financial backer and closest confidant. After all, it was to Mary Magdalene that Christ first appears when he rises from the dead.
       There also are references in the Bible with sentences like: “Jesus loves her more than any other woman,” and comments that he kisses her a lot.
       My friend, Athia, is absolutely convinced, however, that Mary Magdalene was not Jesus’ wife. Not because these clues couldn’t lead someone there, but because she sees that as just another way of diminishing her – she could only have been important as a mate to a famous man. I see her point.
       And I am absolutely convinced that it is Mary Magdalene in the Last Supper painting.
       I was sitting in the train station in Boston last summer when I first read the “revelation” about the painting, and I remember putting the book down in astonishment. I couldn’t wait to take another look at this famous painting – you know the one, everyone is sitting on the same side of the table, facing toward the viewer, sharing the last cup of wine and loaf of bread before the crucifixion.
       It wasn’t until I was shopping in a Christmas store in Frankenmuth, Michigan, a couple weeks later that I saw the painting (presented as a colorful 500-piece puzzle).
       I stood there transfixed. It was so obvious. All you had to do was look, and there she was. The person to Jesus’ right is clearly feminine, and no one can deny that. “Why didn’t I ever see this before?” I said out loud, and then answered my own question: Because I’ve been told my entire life that the Last Supper represents Jesus and his apostles, and everyone knows Jesus only had male apostles. We know because that’s what religion of all flavors teaches us. But as I stood there looking at the painting and saw it, really, for the first time, I knew there were a lot of things religion teaches that I wasn’t going to take as gospel anymore.
       This isn’t just the imagination of a good fiction writer like Dan Brown, or the hallucination of a woman whose Confirmation name is “Janice Ann Mary Magdalene Bommersbach.”
       “One of the Biblical texts intimates that Mary Magdalene was at the Last Supper,” noted The Reverend Steve Sterner, who opened the Beatitudes discussion program. (He, however, is not convinced that Mary’s in the painting.)
       It won’t surprise anyone that I couldn’t just sit and listen at these sessions. Like many others in the audience, I had questions, I had comments, I had some anger to release.
       “It makes me mad that the church not only slandered Mary Magdalene, but erased her role as an apostle,” I declared in the midst of Dr. Bard’s presentation. “It makes me mad, too,” she responded.
       I got some comfort from that. I also learned an important lesson from Dr. Sterner: “You have to look for the history not written by the winners.”
       Men have molded history and folklore to give themselves the winning roles. I have no problem with men taking their fair share. I just object to them stealing the women’s share, too. 

     Listen to this: “One has only to reread the Gospels looking for the participation of women to realize that Jesus was truly a feminist, that is, one who believes in the equality of women and men. It is equally clear from such rereading that Christianity is an Equal Rights religion. That the ignorance, arrogance and hypocrisy of the Church fathers should have denied this equality over the centuries is a staggering thought.”      
       What’s just as staggering is where those words come from. They’re in a new introduction to an 1895 book written by Elizabeth Cady Stanton – yes, that suffrage leader – titled The Woman’s Bible.
       Few people even know this book exists – it was out of print for half a century – but in 1974, a group of feminists reissued it in hopes of inspiring the very kind of discussions that Dan Brown’s murder mystery prompted in 2003. My friend, Barbara, found it somewhere and shared her copy with me.
       The Woman’s Bible grew out of the very first Women’s Rights Convention in Seneca Falls in 1848. These bold, courageous women produced a manifesto that didn’t mince words: “The history of mankind is a history of repeated injuries and usurpations on the part of man toward woman, having its direct object the establishment of an absolute tyranny over her.” And that’s just the introduction!
       The convention listed 18 grievances – two of them decried the lack of religious equality for women.
       It’s not as though organized Christianity didn’t have chances to mend its ways. In 1870, criticism of the first Authorized Version of the Bible, which had been published in 1611, led both England and America to form revision committees. Neither one included any women, even though one of the world’s most accomplished scholars at the time was Julia Smith – she had done five translations of the Bible from Hebrew, Greek and Latin.
       All of this rankled a woman like Elizabeth Cady Stanton, who organized a group of women to present the Bible in a new light.
       One hundred and twenty-nine years later, Newsweek magazine put “Women of the Bible” on its cover, and quoted a dozen “new voices” – Biblical scholars who are finding the feminine side of religious history.
       But it’s unfair to pick on just the Christians.
       The Torah isn’t much kinder, but I know several very feisty Jewish women – and supportive men – and I have hope that their voices are being heard. I have yet to hear of Muslim women seriously challenging the sexism of Islam, but I can hope, can’t I?
        Then again, I don’t know, since even the sexist Catholic Church thinks the Muslims have gone too far. The Vatican has issued an official decree “discouraging” Catholic women from marrying Muslim men, noting “profound cultural and religious differences” between the two faiths, particularly the rights of women, who are “the least protected member of the Muslim family.”
        Women are struggling to find their place at the table – literally – and it’s important to know the mothers of equality led the way in this, too. 

      Some Islamic women tell us Western women that we’re too hung up on the burka – the head-to-toe covering that is demanded in some Islamic societies.
       You can’t see scenes from Afghanistan or other parts of the Middle East without seeing a faceless, covered shape in the background. I’ve seen documentaries shot from inside the burka, showing what a woman sees as she moves down the street in her garb, and you don’t see much when you’ve got a tiny screen window in front of your eyes.
       It’s always seemed to me – and seems to most women outside this religion – that it isn’t a very subtle way to erase women from society: to just make them invisible.
       I recently saw the Afghan movie Osama, and I don’t think I’ve ever seen a more depressing movie. It was set in the reign of the Taliban, when the strictest of Islamic interpretation was enforced. Under this reign, which we have at least temporarily disposed of by invading that country after 911, a burka-covered woman wasn’t allowed on the street without a male escort. The family we see has lost its only son to the war, and is left with a grandmother, a mother that works in a hospital, and a little girl.
       The family will literally starve to death in their home unless they find a man to escort the mother to work and take the grandmother to the market.
       To save themselves, they cut the little girl’s hair and put her in boy’s clothes. When pushed for a name, the child becomes Osama.
       But then the Taliban rounds up all the little boys for religious school and our imposter is caught in a lie she can’t possibly maintain. As you can imagine, this story doesn’t end well.
       This is one of the first movies to come out of Afghanistan, and for that reason alone, it was worth seeing. For what it said about religious intolerance and persecution of women was absolutely profound. (I saw this movie in the midst of researching a story on the polygamist community of Colorado City in Northern Arizona – considered by some to be “the Taliban in our own back yard” – and the parallels were breathtaking.)
       I’m wondering if the day will ever come when a book like The DaVinci Code will inspire open and honest discussion of women left out of the Koran.  

      I’m still pretty ticked off at how women are treated by most religions, but I’m also encouraged by all those voices – some from history, some from today – that won’t stay silent.
       Imagine someday reading a Holy Book that tells the whole story of religion. With everyone getting her and his fair share. Now that will be a bestseller.



 


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